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| All pressure-gradient microphones
present similar concepts and qualities. Obviously, because pressure-gradient
pickups can be designed to work as dynamic, condenser, ribbon
and electret-condenser microphone systems, the criteria for design
is based not upon the microphone's electrical operation per se
(although this can be an important factor), but rather upon the
physical and acoustic design of the
total system and how it responds to the direction of
the sound source. Therefore: |
| 1. |
sensitivity varies with
respect to sound source |
| 2. |
variations in sensitivity may be plotted (with respect
to front/on-axis sensitivity) on a chart. This is in polar coordinates
and is known as the polar response
or polar pattern of a microphone |
| 3. |
polar patterns are used
to evaluate the mic sensitivity with respect to direction and
frequency |
| The graphic at the left shows a moving coil pickup with additional
ports that allow sound vibrations which are 180 degrees off-axis
to the front of the microphone to influence the motion of the
voice coil. Therefore, the pickup pattern would emphasize the
on-axis sound and would negate, or de-emphasize sounds originating
180 degrees off-axis. |
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