PULSE FIELD Audio Playlist
& Extended Organ featuring
Paul McCarthy
Date: Wednesday January 29, 2003
Description: For the first time in Russia, the anthology, issued by Dmitry Bulatov,
can demonstrate the development and the innovations of sound poetry and other
kinds of sound (and visual) works of the present time. The works of sound-poets
who deliberately used various verbal-musical elements, have vividly
demonstrated the meeting grounds of literature and music. This anthology is
published under the auspices of the institutional program of SOUND-POETRY.
10:00 am
·
Homo Sonorus Vol.1 (75:00)
o Warren Burt “Five Tango
Permutations” 2000 (4’18”)
o Ania Walwicz “Body” 1999
(1’13”)
o Jas Duke “Leon Trotsky” 1999
(1’01”)
o Chris Mann “Working
Hypothosis” 1996 (2’39”)
o Hazel Smith “Poet Without
Language” 1991 (2’57”)
o Amanda Stewart “Residue”
1996 (2’33”)
o Liesl Ujvary “softworlds”
1999 (3’17”)
o Ide Hintze “emmu” 2000
(3’31”)
o Lawrence Uptown “Game on a
line” 2000 (1’51”)
o Wayne Clements “Imagining
the Following Actions” 2000 (1’51”)
o Bob Cobbing “For Alaric
Sumner” 2000 (1’56”)
o Phil Minton “ADVERT” 2000
(1’47”)
o Alistair Noon “Voiceless”
2000 (1’25”)
o Maggie O’Sullivan “now to
the ears” 1993 (1’47”)
o Aleric Sumner “Without
Title” 2000 (1’33”)
o Trevor Wishart “Tongues of
Fire” 1994 (3’34”)
o Michael J. Weller “Cobalt
Energized” 2000 (3’00”)
o Chris Cheek “Public
Announcement” 2000 (3’30”)
o Fabio Doctorovich “Habeas
Corpus” 1996 (0’53”) “Caballa / Mascara / Die” (0’40”)
o Guy Bleus “Metro piece” 1992
(2’17”)
o Philadelpho Menezes
“No-music poem” 1995 (1’56”)
o Alex Hamburger “Microphony”
1999 (1’46”)
o Tibor Papp “Trenchee – La
Belle” 1998 (2’00”)
o Endre Szkarosi “The First
Gate of the Netherworld” 1995 (3’59”)
o Gabor Toth “Mantra Manya”
1999 (4’03”)
o Lazio Hortobagyi “Yin –Yang”
(4’29”)
o Isabella Beumer “Fluxion”
2000 (3’09”)
o Hartmet Geerken “Soma” 2000
(2’29”)
11:15 am
·
Homo Sonorus Vol.2 (75:00)
o Carlfredrich Claus “Basale
Sprech- Operationsraume” 1998 (3’38”)
o Werner Laubscher “Hurluburlu”
2000 (1’00”)
o Michael Lentz “Wie es fruher
war” (4’22”)
o Oscar Pastior “der bug hat zwei fube” 2000 (1’08”)
o Josef Anton Riedl “Acoustic
Sound Poems a), b), c),d) from “wu-tkar;ssla ztastal-tkarbu” 2000 (3’07”)
o Gerhard Ruhm “ Zwei
lautgedichte” 2000 (3’47”)
o Enno Stahl “Breath Attack”
1999 (2’12”)
o Elke Schipper “qzah II” 2000
(2’17”)
o Rosa Grau “A” 2000 (1’39”)
o Xavier Sabater “Ad Dalvis Da
Vida” 2000 (1’24”)
o Bartolome Ferrando “A
Fuencisla Frances” 2000 (2’25”)
o Flatus Vocis Trio “NANA”
1989 (2’49”)
o Vittore Baroni “Janus Head”
1999 (2’46”)
o Carla Bertola “Scanning Two” 1999 (3’20”)
o Alberto Vitacchio “The Order
of Things” 1998 (2’04”)
o Arrigo Loratotino “Sconcerto
d’Ole” 1991 (5’23”)
o Enzo Minarelli “Musicamimica
Musimimica” 1997 (1’41”)
o Massimo Mori “Mantra 2000”
1999 (2’05”)
o Gian Paolo Roffi
“Interpunzioni. Punto Interrogativo” 1998 (1’17”)
o Giovanni Fontana “Voci-2”
1999 (2’33”)
o Christian Bok “Motorized
Razors” (0’55) “Ubu Hubbub” (0’38) 1995
o Paul Dutton “Beyond Doo Wop,
or How I Came to Learn That Hank Williams is Avant-Garde” 1999 (4’18”)
o Nobuo Kubota “Quick Facts”
2000 (2’24”)
o Steve McCaffrey “The
Multiples” 1991 (2’15”)
o RE:SOUNDING “Suknaski
Manuscript Viliations” 1999 (3’33”)
o W. Mark Sutherland “The
Death Rattle of Luigi Russolo” 2000 (2’47”)
o Steven Ross Smith
“Bi-morphics, etc.” 2000 (2’28”)
12:30 pm
·
Homo Sonorus Vol. 3 (75:00)
o Pierre-Andre Arcand “Lse-tu”
2000 (4’20”)
o Jean-Claude Gagnon “Sonor
poetry song” 1999 (1’25”)
o Richard Martel “Exiguite et
sphericite (d)’ après John Cage” 1996 (0’56”)
o Jaap Blonk “Mnemosyne” 1992
(3’05”)
o Rod Summers “Rat Sense” 1998
(3’06”)
o Miroslaw Raikowski “The
Primary Principle” 1997 (3’09”)
o Fernando Aguiar
“Trocabolario” 1993 (0’39”)
o Americo Rodrigues “Remando”
1999 (3’02”)
o Segei Birjukow “Hails” 1998
(2’24)
o Dmitry Bulatov “6 o’clock
radio service” 2000 (3’27”)
o Alexandr Gornon
“Ne-ve-primoi-ki-shkoj-tzara” 1998 (3’59”)
o Sainkho Namtchylak
“Sainkhonia” 1998 (2’50”)
o Rea Nikonova
“Articulations” 1999 (2’31”)
o Dmitry Prigov “Kantatos”
1994 (2’31”)
o Sergei Provorov “Combinations
for cable and hand” 1998 (2’13”)
o Serge Segay
“Transformations” 1999 (2’17”)
o Valeri Scherstjanoj
“Matrjoschka” 1998 (3’53”)
o Charles Amirkhanian
“Loudspeakers” 1990 (6’27”)
o Eric Belgium “Bad Marriage
Mantra” 1994 (2’49”)
o Larry Wendt “Misshapened Dialogues”
2000 (4’05”)
o Mark Grey “We were
somewhere…” 1998 (3’49”)
o Pamela Z “50 (for Charles
Amirkhanian” 1995 (2”04)
o Elise Kermani “Spiral” 1991
(3’11”)
o Philip Corner “EarthBreath”
1993 (2’56”)
1:45 pm
·
Homo Sonorus Vol.4 (75:00)
o Richard Kostelanetz “No, I’m
Richard Kostelanetz” 1997 (3’28”)
o Jackson Mac Low & Anne
Tardos “For Armand Schwerner” 2000 (2’36”)
o Charlie Morrow “Morochovski”
2000 (1’12”)
o Jerome Rothenberg “The Horse
Songs of Frank Mitchell” 1990 (3’16”)
o Gary Singh “My Name Is Not
Ed” 1993 (2’46”)
o F’LOOM “Waltz of The Emotive
Enigma”1998 (2’47”)
o Brenda Hutchinson “Long Tube
Trio” 1993 (4’14”)
o Ellen Zweig “If Archimedes…” 1993 (2’59”)
o Peter Finch “Blodeuwedd
Translated” 2000 (1’19”)
o KESKEN “Babel Airport” 2000
(3’08”)
o Bernard Heidsieck “Respirations
Et Breves Rencontres: Giuseppe Ungaretti” 1991 (3’29”)
o Julian Blaine “Calmar” 1999
(2’45”)
o Jean-Pierre Bobillot &
Jean-Luis Houchard “Owde too Philmay” 2000 (3’58”)
o Jean-Francois Bory “ABC”
1999 (0’52”)
o Jacques Donguy “Sampling”
1999 (2’45”)
o Philippe Castellin
“Editoast” 1998 (2’14”)
o Jean-Jacques Lebel “Trois
Poemes Trouvre” 2000 (0’58”)
o Claude Maillard “Lecon de
Do” 2000 (2’01”)
o Serge Pey & Joachim
Montessuis “Nierica” 2000 (3’02”)
o Henri Chopin “Crescendo Aux
Vocemes” 1999 (3’26”)
o Joel Hubaut “Langue
biolangue electrobouche- bouche” 2000 (4’08”)
o Guenter &Colette Ruch
“Sing a Song” 1999 (2’12”)
o Pierre Thoma “Du corps du
poete, entierement poilu” 2000 (3’11”)
o Lars-Gunnar Bodin
“Wonder-Void” 1990 (4’59”)
o Ilmar Laaban “Vesi ise” 1993
(3’41”)
o Jarl Hammarberg “Gotland,
1999” 1999 (1’56”)
Title: River Run
3:00 pm
·
River Run: Voicings (75:00)
o John Cage “Muoyce.” 1984
(2’10”)
o Charles Amirkhanian “Pas de
voix” 1998 (2’17”)
o Henri Chopin “Le Corpsbis”
1985 (1’33”)
o Carlfriedrich Claus
“Lautaggregat [Sound aggregate]” 1993 (1’24”)
o Alvin Curran “erat verbum
(alpha)” 1990 (2’13”)
o Gerhard Ruhm “Gebet
[Prayer]” 1994 (0’39”)
o Franz Mon “Artikulationen
[Articulations] 1990 (2’17”)
o Hans G Helms “Fa:m’
Ahniesgwow” 1959/1979 (1’46”)
o Stephan von Huene
“Erweiterter Shwitters” 1989 (1’04”)
o Ernst Jandl/ Friederike
Mayrocker: Spaltungen [Divisions] 1970 (2’19”)
o Sorrel Hayes “Celebration of
NO” 1993 (0’35”)
o Carlo Quartucci “Penthesilea
Aubade” 1986 (2’19”)
o Hans Ulrich Humpert
“Andromache” 1990 (2’33”)
o Gerhard Ruhm/ Klaus Schoning
“Ophelia and the words” 1987 (2’30”)
o Linda Mussman “Danton’s
Death” 1989 (2’20”)
o Mauricio Kagel “…nach einer
Lekture von Orwell” 1984 (2’40”)
o Werner Cee “Elegien
[Elegies] 1997 (3’00”)
o Robert HP Platz “Andere
Raume [Other Spaces]” 1995 (2’02”)
o Alvin Curran “For Julian”
1988 (3’05”)
o Hans Otte “Voicings”
1982/1996 (2’32”)
o Ferdinand Kriwet “Radio”
1983 (2’25”)
o Barry Bermange “SOS” 1979
(2’13”)
o Paul Carter “7448. Eine
kolumbische Phantasie 1992 (2’26”)
o Josephine Truman
“Sdreamings” 1991 (2’53”)
o Alison Knowles “Bean
Sequences” 1982 (3’24”)
o Jerome Rothenberg “Das
Horspiel des Bibers. Ein Testament” 1984 (1’47”)
o Malcolm Goldstein “ Ishi/
Timechangingspaces” 1990 (1’48”)
o Jack Body “Vox Humana[Audio
Portrait]” 1992 (1’19”)
o Anne Tardos/ Jackson MacLow
“Fur Stimmen[For Voices]” 1985 (2’22”)
o Pauline Oliveros “Humayun’s
Tomb” 1987 (2’33”)
o Philip Corner “Satie’s Rose
Cross as a revalation” 1990 (1’41”)
o George Brecht “Das Hsin Hsin
Ming des Seng Ts’an” 1983 (2’38”)
o John Cage “Roaratorio” 1979
(2’48”)
4:15 pm
o Extended Organ featuring Paul McCarthy ‘XOXO’ 2000
(65:00)
"Extended
Organ is a 'supergroup' of experimental sound artists whose members are culled
from the ranks of that seminal West Coast 'slacker' noise cult the Los Angeles
Free Music Society. The four members of Extended Organ have been improvising
with sound for over two decades and although they have played together in
various configurations in the past, this is the first time the quartet has ever
played together as a total entity. The foursome each have active and well
established careers on their own. Paul McCarthy is a world renowned art
superstar. His work in Extended Organ consists of free form vocal/lyrical
improvisations which play off the instrumental improvisations of the other
three members while at the simultaneously setting a mood, telling a story and
responding to the general ambience of the performance situation. Fredrik Nilsen
is a founder of the Los Angeles Free Music Society and a noted photographer.
Nilsen conceptually founded Extended Organ in which he plays prepared acoustic
guitar and both an antique analog organ and a modern digital keyboard, all in
an especially unorthodox style. Fredrik's approach, which acknowledging
minimalist composers, spins equally from gothic horror movie soundtracks. Joe
Potts is a founder of the LAFMS and mastermind of Airway, which has been called
'the gnarliest noise band of all time'. Potts is omnipresent on his chopped
optigans -- instruments he crafts from dismantled 70s optical samplers. With up
to 64 simultaneous samples per instrument, the chopped optigan is the ultimate
drone machine. Tom Recchion is a founder of the LAFMS and member of the
Doo-Dooettes and B People. Recchion uses Kurzweil, guitar, radio, CDs, etc. to
accent the other instruments as well as the occasional lush crescendos. Tom
also acted as producer on the record as well as mixing and processing the sound
of the entire ensemble live during the recording. Three years in the making,
XOXO is creepy and wonderful. It may sound like a gross exaggeration, but we
are wondering if this CD might not just be the Sgt. Pepper's of noise
records."